*** repress 2015 ***!! its a get together between master rick and young kyle. and its time to turn things up a notch. kyle hits it unbelievably hard with >after fall<. have you ever tried head banging to disco music? if not, now is the time, because this track will make you do just that. there is no denying. banger! on the b-side the godson eases down a little and lifts the classic >love & happiness< a capella to work it into a hypnotic groove. build it up! the third track sees kyle and rick teaming up, where kyle provides the drums and rick delivers the groove. a futuristic piece of jazz techno, 22nd century shit, that plays with your mind and demands you to move.

our main man from hamburg, mr. tilman tausendfreund – try to pronounce that when you are drunk – is back on frank music after appearances on dérive, hypercolour and the likes. and he’s back with heart on his first full 12&#8243,,, ep. tilman makes music you should dance to (twenty nine years). music for dreamers (in my dreams). and finally music for all days and all nights. “all night long” even sounds like a long lost ladomat2000 tune. tilman is part of the extended smallville family and a dj you shouldnt miss when being in sweet rainy city. tili we salute you.

mark e makes a rapid return after the hugely successful e-versions series, we now embark e-work! while e-versions celebrated the full, dazzling shimmer of the disco ball lit dancefloor, e-work turns down the lights, and turns up the system for some pared down sonic sorcery mark channels his years of experience, digging, djing and producing to distill the essence of the chicago house blueprint & divert into an altogether more 21st century destination emotive, muscular machine jams then, in vocal and instrumental versions. lets work!

after one year we have a new dpk - dapayk back to his roots ! this plate really rocks

matt karmil is one of the most favorite newcomer for us. after we have listened his debut track reverse peephole,we are overwhelming. we said masters at work meets ibiza, fight on a side is unique merodic raw house and kiss and make up is more uplifting but sweet techno house track. if you like the production of dj koze,you will love this release.

after waiting 3 long years, and finally getting the multi track session to do a b side, im proud to present the star blazers cover version of the masterpiece danger zone which was originally done my midnight express. many should be familiar with detroit producer recloose, while back in new zealand he assembled a band who called them selves star blazers (an ode to the 70s legendary japanimation series and a big hit on bostons tv38.. indeed recloose is from massachusetts) and they recorded a few cover tunes.upon hearing this i knew it was special. while most modern covers miss the mark, purely emulating and sounding like a cheap imitation, leaving me wanting to just play the original. they flip the tempo, swing and vibe, straight up owning this and making it their own.

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

after the killer debut, money sex returns with another jaw-droppingly good selection, this time from imyrmind. another triumphant tapestry of sample sources, reinvented and ramped up into an effortlessly effective 6 pack. these guys are untouchable right now - accept no substitute!

after the first success story dubaptism are returning with their second vinyl release. this time with 3 original tracks that covers a wider range of techno. from dubby atmospheres to harder techno aesthetics. their good friend echonomist (rotary cocktail, high strings) is on the remix duty for this one and he managed to do a great job by setting extra groove and dancefloor energy to the original track. comes in a blue/green smokey marbled vinyl in limited numbers so hurry up!

limited to 300 copies. support from josh wink, luke slater, dvs1, pfirter, marco bernardi, markus suckut, ambivalent, ben sims, marcel fengler, randomer & mosca.
brack, the new imprint from uk-born berlin-based producer bnjmn, is back in quick succession with another strong transmission from the label boss. after plunging into dirtier, darker sonic waters on the pitchfork-tipped brack001, chromed continues the descent. while the propulsive rhythms and skilfully stacked samples remain intact, these 4 tracks are imbued with subtler elements that become more apparent with repeated listens. drums don’t just bang, they scrape, stab and shudder, and the typically mesmeric synth-lines are swathed in analogue hiss and seething low-end. idiosyncratic aural details have always been a specialty of the young producer, but here they rise to the fore. the rapidly flourishing sound world that is brack comes more into focus, and it appears it is even more intricate and musically rich than on first glance.

after his album at disconnected moments a while ago, smallville regular stl presents a new 12. within the 2 tracks, stephan laubner meanders along the crispy raw ways, always with the special groove that makes him stand out from everything youve heard. only stl knows how to keep this tension. welcome to euphoria.

claudio coccoluto is going back to print with the dub records and this is release no.2! after spending over a decade in hibernation the claudio coccoluto’s record label the dub comes back to life with a new disco tinged offering from the label boss himself and sets the tone for a full schedule ahead. claudio coccoluto is one of italy’s most famous musical sons, a dj, producer, radio and tv show host and music writer. he plays all over the world at clubs and festivals as well as for brands like mtv and peroni. using everything from the vintage sounds of chicago and detroit to the ultra-modern music coming out of europe and everything else he hears around the world, claudio coccoluto is never afraid of experimenting with pioneering sounds and allowing others to be influenced by his never ending search for the next record.

here after a while coming back with a special one including one new-unreleased track by john swing ... great release!!!

after releases for discos capablanca and moon glyth, minneapolis collective food pyramid align with especial for a remix ep based around oh mercy, a track from their 2012 album mango sunrise. apparently a long term favourite of label boss stuart leath, the warped breakbeat jam fusion of the original is ripe for reinvention and gets the remix treatment from especial in house team apophenia, inhalt and jamie paton. its the full on italo pumper remix from san francisco s inhalt that really impresses too, with especial right to compare it to timmy regisford classic remix of >rules to survive< by noi

last time round for finale, it was label boss michael zucker offering some rare insight into his prowess behind the buttons. here zucker adopts the more familiar curatorial role, easing the finale focus towards the new generation of parisian artists prospering in the french capital. ka one & st sene oversee the prospering flyance records and arrive on finale with the french connection 12inch after a recent turn out on london s ornate music. the four tracks suggest ka one & st sene are developing into a truly diverse production unit, with the crisp motor city utopia of smokin joint a particular highlight.

over 10.000 years ago, after the last ice age, humans began to explore and settle the place now known as scotland. evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for.

after a first collaboration with play label records last fall for a remix on boss axis’ ep, dka joins the label-team for a four-track ep, pamplemousse bleu. oscillating between deep house and tech house, dka delivers three equally excellent original tracks. from the hypnotic “sum” until mysterious almost techno “landing at night”, he immerses the listeners in his universe and his world. the ep closes on the exon bacon’s remix that embarks us in a deep techno mood.

dear wanderer, ramona is happy to present the video dead, chinaski s debut-­ep for live at robert johnson. originally hailing from the high north of germany, rostock near the rough and stormy sea, the young man with interests in 80s video-­aesthetics and vintage synthesizers is now calling offenbach his home­turf. chinaskis ep starts out with time to kill, a straight forward hypnotizing jacker directly heading to the synthesized happiness. midnight workout features a different side to the young talent sensitive placed synth harmonies packed in a vintage-­pop interlude. after a journey through more harmonious domains, night school turns the page again and picks up on those synth-waves and put ramona away from her calm drive through the midnight heat, right on the dancefloor mesmerizing analogue deep housevibes all over the place.hide society steps out of context and mixes chinaskis affection for the warmth of these marvelous synth-­sounds with trippy post-­breaking or even proto-­hiphop sounds topped off with a weird vocal sample. the title­track the video dead summons all emotional power ramona could implant into a synthesizer, the heartbeat like reduced kick-­drum and hihats floating around the track are mostly incidental or not even there for the ears. purely visual.

up next on made of concrete is gathaspar with his gathsoland ep. with straight sounds and dark beats, gathaspar takes it down to the realm of shades. after the vocal heavy intro of gathsoland the subkick abducts you into areas of unknown soundscapes. through the stormy pads of the vision in cooperation with echologist the ep is brought down to a round figure by the combination of traditional elements of techno and modern interfaces in the last track the lover of ursa major.

over three decades after -rhythm of life-, james mason rediscovered tapes with more recordings from the same late seventies period. the dance of life (ft. bernard purdie on drums and fonda rae on backing vocals) and up jump are the first two tracks taken from the -recollection echo- album that rush hour are very proud to release on vinyl

for the 6th release, we are really proud to welcome our first guest, merrick! after an ep on local talk, the young bordeaux based producer delivers us a 4 tracks ep with featuring with 4004 and a remix from ringard! vinyl only limited to 300 copies.

smoking hot next level cosmic house/techno tracks for the real headz. kessel vales debut release on tantaafl planets after the great joey anderson release and delivers pure class for the dancefloors that understand! this one is gonna melt minds around the globe. ltd supplies!

founded in september 1981 in orléans, and originally dedicated to a kind of ‘modern punk rock’, d.stop released a first 7’’ the following year. this impossible-to-find debut release is now reissued on vinyl for the first time. the three tracks of the original 7’’ are augmented with 4 tracks that are released on vinyl for the first time ever on this very nice translucent vinyl 10’’ plus download code. after this first 7”, sonny brailleur (vocals) + phil lethon (guitar/bass) + klod lelook (organ, synths, drum-machines) , inspired by french band metal urbain, stylistically transformed into a more ‘synth punk’ kind of outfit and released their first mini-album nouvelles du front in september 1983 that has been reissued by desire on vinyl last september. one year after, the band already ceased to exist – or actually changed the name to les visiteurs du soir – to turn back to the old name in 1985 by releasing a limited cassette. despite the very few releases by this gifted act, d.stop are considered to be one of the most interesting and under-rated cult acts in french cold wave.

for more than a decade, the bunker new york has been a nexus point for the transnational techno community. a chance meeting at the bunker in 2011 brought together gunnar haslam and johannes auvinen (also known as tin man), who became fast friends and collaborators soon after, conceiving a joint project called romans. the bunker new york is proud to present romans ambulare aude, a collection of atmospheric acid techno tracks following the projects debut on auvinens own global a in 2014.

keita sano - the keita sano ep: discos capablanca is proud to present the definitive keita sano collection. after months of listening to demos, label and artist came up with a tight selection of tracks that represent at its best the keita sano sound and simultaneously have the potential to slay the bravest dancefloors. with a clear flair for industrial and raw sounds but not forgetting his house influences, this ep should be one that establishes this young japanese producer as a consolidated artist.

after previous releases on hija de colombia, el nino andres (here credited as el nino only) debuts on new vinyl label called jackie brown. jackie brown aims to release series of mini lps, providing conceptual music stories, while at the same time not neglecting the main consequence of good house music – dance groove. house music infected with funk, soul and boogie grooves – we are not inventing nothing new, we’ve been inspired by many labels that came before. el nino delivers first story on our label, and in our humble opinion shows the very best side of house music with a groove and soul. though not all tracks are lengthy and floor ready, they make a great ensemble on “no boogie nights”, while tracks like “odds against tomorrow”, “thieves in the night” and “something ain’t right” work great on their own. everything is rounded up with amazing artwork from maximilian moser.

above machined return after their extra special debut 10- outing (and something of a secret weapon !) just over a year ago here we have another mighty 10- platter featuring a side cut bad runner a nicola bruni rewire featuring luca cacciatore on sax. it s an irresistible mediterranean groove, which is far more dirty cocktails & dark corner deals than it is vest and linen slacks - think don carlos meets the vincent montana orchestra on the flip we re treated to the dazzling slo-mo communication breakdown where twisted tongue takes on a library rarity and transforms it into a balearic masterpiece ! the above machine stamp of quality all over this one - limited 10- release

returning to hakt after his 2013 single n1, cale parks continues to chart a compelling new path with the lagoon fool ep, his second foray into solo production. as the current drummer for yeasayer and a prolific collaborator both in studio and live, cale’s creativity knows no genre. the five tracks on offer sneak from the beaten path, complicating signifiers of style, gently tweaking the standard grammar of club music, and remaining accessible all the while. assembled in his brooklyn studio, but sonically sourced from his grandparents’ tennessee farm, lagoon fool carries that sublime, somehow inviting ethos of the appalachian range. airy and tectonic at once, impeccably detailed, yet easily taken as a whole, it’s a rich, deceptively layered listen. as a skilled songwriter and a produce quickly proving his caliber, cale has composed a suite that demands multiple listens and a place at peaktime just the same

after starting to produce almost a decade ago and steadily releasing music since 2010, eastcolors has worked with some of drum & bass finest talents including enei, clarity and with big upcoming names such as traffic & noel. often an unsung hero of the scene, eastcolors debut album on demand records sees him rise as one of russias forefront producers. *lighthouse* is without doubt one of 2015s most honest and diverse albums of the year, covering drum & bass and beyond in a versatile and uncompromising way only eastcolors can. a vision of a young artists music translated into a magnificent 16 track journey, this lp is the rare type of release that is enough to satisfy serious music fans, producers and djs worldwide. it is about time the world woke up to eastcolors. the 6-track 2x12 inch includes the full album on cd.

only 250 copies on vinyl - no digital!
after releasing « mystic ep » in 2013 eduardo de la calle came back on badance records to release his first lp. this lp is composed by eight tracks that introduce you to *the intellinet prophecy*. be prepared to dive into the eduardos retro futuristic deep waters, from the first to the last beat.

emotive tracks by two super producers who impressed cartulis day with their memorable sets. the collective invites tommy vicari jnr and anton zap once again, this time to showcase their music for the labels third release. tommy vicari jnr brings us a deeply playful side a track, well suited for those special after hours. anton zap names his track after crucifix lane, cartulis home for more than 5 years before it was forced to close earlier this year. he recreates that stomping ground atmosphere with this b track, sure to keep a dance floor pulsating during the peak of the night.

a year and a half after black merlin (george thompson) opened the common thread series with the much praised new world fantasy / ice house release george sent over some adventurous bits for a follow up and we were immediately sold. george is a true artist in his own right. all of the black merlin tracks evoke different sentiments. this time around the feeling it bring up is very conflicted. both tracks have those dark aesthetics with elements of paranoia and both also share some apocalyptic elements. it is for this reason that this is the perfect follow up for ct01. instead of just releasing music on vinyl we (with the blessings of zoroaster) are looking to evoke spirits, cross boundaries and maintain quality. major cliches, but with an artist like black merlin on your books, cliches sometimes become truth.

after a recent excursion on theo parrish’s sound signature label these two pioneering legends of uk music return to eglo records for another heavyweight jaunt through broken house and boogie. ep opener black is key has already been making noise throughout the underground and the rest are set to do the same, another stone cold classic! artwork by sassy j.

as idle hands reaches its 30th release, it gives us great pleasure to welcome rising talent matt karmill to the fold. to date matt has delivered a strong body of work to labels such as beats in space and yume, as well as dropping the cryptically titled - - - - album on popnoname’s pnn label last year. this three track ep marks his first appearance on the idle hands roster after earning his stripes on the shelves of the shop, and he will be following this record up with an album for us later in the year. the hooky leftfield house constructions on play it continue the thread of adventurous releases idle is championing in 2015, following strategy’s seeds of paradise lp and leif’s broken beat excursions. with a balance struck between experimentation and satisfaction, matt has delivered a record that continues the all important tradition of timeless music that the label always strives for.

limited edition 180 gram vinyl in full cover! nachtbraker is back on heist after his 2013 gute laune ep with another set of his dreamy laid back sound filled with lovely textures, rolling synths and always interesting and evolving arrangements

despite only a few releases, the electronic deep house sound of vibraphone records and the production team behind it had a major impact on the international 1990s dance scene. the original 90s vinyl are now considered precious collectors items. revitalized by an increasingly new young audience interest this label has reached a cult status and it is now been re-launched via juno records. produced by the true underground sound of rome team all the tracks included in this rereleased are characterized by a heavenly atmosphere and a cinematic sound. this 2x12inch ep contains the analog re-mastered version of the original 6 tracks first released in 1992 plus 2 new bonus tracks.

the first release from the new malka tuti record label introduces us to xen, a multi talented multi cultural singer, artist and designer from tel aviv. for her debut ep she went into the studio with the red axes lads to produce 2 original tracks for the a side as well as 2 different versions on the b side. after already collaborating with them on their track -this is it- for a correspondant records compliation on 2014, this time she takes a step forward and really brings out her post-cold-wave-some-wave attitude and delivers 2 psychedelic poppy tracks, highly influenced by german krautrock as well as british and french post-punk and israeli late 80s new-wave. on the b-side you can find a massive dancefloor remix from the red axes themselves as well as a secret psychedelic voodoo b-side.

after years of organising parties, bringing cutting edge underground talents, colt starts its own imprint launching with a three tracker by hamid. three original cuts where the french born-berlin resident shows his love for modularinfluenced, weird, latemorning sounds. in cacoethes carpendi, hamid finds his way through to deliver his very own hallmark thanks to his quirky and peculiar way of seeing dance music

welcome back, okain! after his praised collaboration with onno resulting in their conjunctional triple o ep samuel thalmann a.k.a. okain is about to unleash four brand new tunes on his forthcoming upon.you-single coma. with the title track coma our french friend masterly crafts an enthrallingly bouncy mother of a tune walking the fine line between house and techhouse, serving swirling hi-nrg synth modulations and super ecstatic vocal bits for those who like to get into the groove. this track is prime time heaven for all clubbers out there

after jonas kopps well received recent ep, eartoground quickly returns with our second release of 2015 this time round in the form of label boss, gareth wilds first ep on the label. etg014 features two original tracks backed by remix work from two prominent new names in techno, aiken and uvb. this release covers a full array of light and dark solid impact, dance floor techno. track name inspiration comes form american graffiti artist duster and crew msk. full sleeve artwork on classic black wax.

m.ono & luvless join forces for the seventh release on leipzig s much loved rose records the pair runs and curates alongside martin hayes & l.sluter. the duo impressed a few years ago with sought-after joint productions on upmarket labels like o*rs and kolour ltd and now steps up to the plate with a pair of pitch-perfect burners for their own imprint for the label s first 10- release. synth lines set the mood on the a with the delectable double you. crisp drums set the pace, carefully arranged percussive elements, a teasing vocal and a monumental breakdown take care of the rest. on the flipside we have happy chap. a quintessential rose fare with its tight drums, vocal snips and the sort of deadly piano work that is such a staple in m.ono and luvless productions.

after a break of 5 years, alva noto continues his xerrox series with »xerrox vol. 3«, entitled »towards space«, a journey that started with »xerrox vol. 1«, referring to the »old world«, and »xerrox vol. 2«, heading »to the new world«.

white material at last, after a long break… wm006. a four-track ep by morgan louis — from the 004 showcase — plus three locked grooves. (b3, b4, b5) pedigree, locomotive, deep steppers

the project named after his own label brand presents four cuts ranging from cosmic quantum nervous compulsion to introspection. harmonious combination of complex percussive rhythms gives way to the already identifiable sonic universe of 30drop that turns into an effective formula at any club aimed at the forefront of the electronic dance music. sacred geometry and style, concept and form, all to the service of the fundamental search. the roots are deep and horizon is vast. >superconductivity ep< extends the scope of 30drop positioning on the edge of the sideral dance floor.

autoroutes ii by pamplonas iii3s (aka supersobresaturado) is the soundtrack for a 21st-century trip interconnecting continents and generations of acid-house lovers and ravers. this record is a hard-driving journey into (ph)uturistic sounds that takes it back to the old school. iii3s knows that the best road-trips begin and/or end in chicago (which is, after all, the start-point of the legendary route 66) and he knows the start-point of any journey into acid-house is chicagos phuture, the legendary masters whose *acid trax* created the genre in 1986. and so he is humbled to get remix support on this special edition vinyl release from none other than phuture members lothario lee, dj spank-spank, and ron maney aka dj skull.

swedish underground powerhouses mr tophat & art alfie return to bass culture with their second ep for the label after the phenomenal success of their first outing, which picked up strong support from across the scene, particularly from ricardo villalobos. this time around, they drop two hefty slabs of disco-tinged house imbued with their own distinct flavour throughout. ‘dub the rub’ pumps along with an infectious groove, tough percussion powers along with a rolling bassline. watch out for the vocal-led breakdown midway through, killer! on the flip, ‘fnatt’ works around a more traditional melodic house motif, tender and bright with a lush b-line and captivating vocals made to move your body and soul.

we left herva & dukwa with a bunch of bangers with their latest ep -it fell down-… we found em back only after few months with their first lifes track longer player featuring an impressive variety of styles but always with their unmissable, raw and twisted up touch. this album of 8 tracks, spread in one twelve and a seven inches, starts on a side with the funky break of -needed-, continuing with the deep driving moment of -amore- and the hip hop beat of -put it on-. on the flip side instead we find the catchy vocal riff of the stomping roller called -freak with us- followed by the soulful ghetto tech vibe of “call it you” and the melancholic, romantic, stoned and rotten lullaby of -tired brass-. more tasty and unusual grooves are included in the tiny wax which close the record up, on a side the peaceful, abstract, suspended and atmospheric dimensions of * play with me* and on the other the glow-fi-sh and -emo--tech wave of -venere-. unmissible!

after the series of caribbean related releases, emotional rescue returns to the early 80s downtown nyc post punk / new wave scene with plus instruments collecting their best and rarest songs on one groove laden ep. 4 tracks of pure downtown punk-dub-funk, all with the nonchalant euro-style delivery of truus de groot. it doesnt get better than this. coming with extended unreleased versions, the originals were collected from sought after eps, an obscure compilation lp and fiishes with a never before released song, this is history. licensed and remastered for aural pleasure

by pushing the analysis between what is within us and the after outside we find the last edges of realism.